Boy does brush calligraphy reveal in painful and obvious detail my shortcomings in brush control. Yikes. And I'm not talking about control in the normal sense. Artsy stuff requires looseness and relaxation. Anyone who's practiced a signature knows what I mean. There's a point where your brain has it down auto-magically and you relax and just sign. I aspire to that with brush calligraphy, not because I want to achieve a zen state or anything. I just want the letters to flow so that it looks natural. Right now most of the letters have at least one awkward point. When it's the same one, I can work on that section by itself, but most of the time the awkwardness wanders, like an awful conversation that you desperately want to go well.
Anyway, I've been listening to music and watching dvds (thank you, DH, for the Castle Season 3!!) and practicing with the brush, hoping that when I look at my collection of letters the next day I'll think wow, that's the one. That's the keeper.
And then I'll put it on the cover of a book.
Speaking of books, I'm on a couple of serious deadlines, so I'd better get some done before I crash tonight. Gotta write every day a little bit.
2 comments:
Next try writing Chinese characters with a brush. THAT'S real art! ;-)
Yikes! Heh. Yeah, I'm well aware that I'm doing the equivalent of scribbling with crayons when it comes to brush calligraphy. Still working on writing Masks. All I want is just one half-way decent one.
You wouldn't think it'd be that hard. I'd hate to attempt a poem!
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